Once back in Vermont, the effect was as though a veil had been draped over my vision. This is not to say the brilliance of color had subsided, but rather that the color shimmered next to its closest mates.
Here are three pieces that attempt to capture that quality. They are drawn over very pale monoprint ghost prints from spring in my studio, ironically that had nothing to do with the ocean side scene when originally printed. (These are terrible photographs, but will be updated.)
Buttermilk and Fog
15" x 15"
pastel over monoprint
Sorbet and Fog
15" x 15"
pastel over monoprint
Shore and Fog
15" x 15"
pastel over monoprint
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